{"id":1507,"date":"2018-04-25T11:09:21","date_gmt":"2018-04-25T11:09:21","guid":{"rendered":"https:\/\/bard.qodeinteractive.com\/?page_id=1507"},"modified":"2025-12-01T11:49:40","modified_gmt":"2025-12-01T11:49:40","slug":"home-5","status":"publish","type":"page","link":"https:\/\/www.fsaprojectroom.it\/tomokospring\/","title":{"rendered":"Homepage"},"content":{"rendered":"

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\n\t\t\t\n\t\t\t<\/span>\n\t\t\t<\/span>\n\t\t\t<\/span>\n\t\t\t<\/span>\n\t\t<\/span>\n\t\tAGGIUNGI AL CARRELLO<\/span>\n <\/a><\/p>\n

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(Sarai indirizzato alla shop online di Finestre sull\u2019Arte)<\/strong><\/p>\n

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\n\t\t\t\tL'opera\t\t\t<\/h2>\n\t\t\t\t\t\t\t

\n\t\t\t\tLa Primavera in chiave pop\t\t\t<\/h6>\n\t\t\t<\/div>\n<\/div>
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Nella rivisitazione della Primavera<\/em> di Botticelli<\/b>, Tomoko Nagao<\/b> trasforma il dipinto rinascimentale in un caleidoscopio kawaii<\/b>, popolato da figure stilizzate dai volti ridotti a maschere neutre. Le protagoniste della scena classica, Venere, le Grazie, Flora, Zefiro e Clori, mantengono la loro disposizione originaria, ma i loro abiti e l\u2019intero scenario sono invasi da pattern decorativi<\/b>, assumendo l\u2019aspetto di personaggi stilizzati, privi di individualit\u00e0 come simbolo di una societ\u00e0 globalizzata che appiattisce le differenze<\/b>. Tra i rami fioriti compaiono aerei Alitalia, mascotte Hello Kitty e animali colorati che invadono la scena naturale, sovrapponendosi alla delicatezza originaria dell\u2019opera.<\/p>\n

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Nascosti tra la vegetazione e i fiori, emergono anche piccoli volumi di Finestre sull\u2019arte<\/em>, quasi come segnalibri che invitano lo spettatore a scoprire dettagli nascosti e riflettere sul legame tra la cultura tradizionale e contemporanea. Anche la raffinatezza allegorica dell\u2019opera originale viene assorbita in una dimensione giocosa<\/b> e al tempo stesso straniante, dove il mito classico si piega alle regole della societ\u00e0 di massa e l\u2019incanto della natura diventa sfondo per una festa colorata, vivace, ma intrisa di ironica malinconia. Nagao rilegge perci\u00f2 la Primavera<\/em> come simbolo del nostro presente, in cui la bellezza e l\u2019arte si trasformano in superfici decorate, leggere e consumabili.<\/p>\n

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\n\t\t\t\tDettagli\t\t\t<\/h2>\n\t\t\t\t\t\t\t

\n\t\t\t\tClicca sulle foto, scopri la qualit\u00e0 della stampa e i dettagli in rilievo\t\t\t<\/h6>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”22px”]
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ph: Paola Francesca Arpone<\/span><\/h6>\n

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\nTomoko Nagao<\/h2>[vc_column_text css=”.vc_custom_1759399886524{margin-top: -15px !important;}”]<\/p>\n

Tradizione orientale e cultura pop occidentale in opere Neo-pop e Superflat<\/h6>\n

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Tomoko Nagao<\/strong>\u00a0vive a lavora a Milano. Diplomata a Chelsea College Art & Design<\/strong>, MA Fine Art a Londra nel 2003, ha partecipato alla mostra Botticelli Reimagined<\/strong> presso il Victoria and Albert Museum nel 2016. L’arte di Tomoko ha un approccio propenso alla contaminazione dei linguaggi<\/strong> e aderisce all’esperienza culturale Neo-pop e Superflat<\/strong>, capace di elaborare dei dispositivi a lettura stratificata e solo apparentemente banali: a un primo livello, infatti, assistiamo all’innesto della tradizione giapponese delle Anime nei miti della cultura occidentale<\/strong>, gia peraltro setacciati dalla lunga esperienza Pop, da Caravaggio a Leonardo da Vinci, da Botticelli a Tiziano, a Velasquez, dalla scuola di Fontainebleau a Delacroix. In questa contaminazione e rilettura stridono le icone del mondo contemporaneo dei brand piu famosi<\/strong>, introdotte con gusto tra l’ironia e la satira. Un secondo piano interpretativo riguarda la scelta dei soggetti della tradizione, che interessano spesso figure femminili sottilmente erotiche o miti della bellezza occidentale<\/strong>, tradotti nell’estetica kawaii<\/strong>: figure che l’artista intende riabilitare come icone eroiche di una femminilita<\/strong> sempre soggetta alla violenza stereotipata della cultura dell’occhio maschile, da cui vorrebbero una volta per tutte liberarsi e irrompere come protagoniste. Ne consegue un ulteriore e piu intimo senso dell’operare, che e connesso alla propria esperienza di donna artista nel mondo dell’arte<\/strong>, con le difficolta e le ambiguita che la vicenda creativa comporta, ma intende allargarsi alla condizione femminile giapponese contemporanea<\/strong>, sempre piu fragile e tuttavia abile a celare il dramma piu sofferto dietro un’icona felice e spensierata.<\/p>\n

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\n\t\t\t\t\tOn Stage\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tprogram\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tYour generous contribution will help us create exciting new works, sustain the quality of our dynamic performances and maintain our dance education and youth outreach programs. Don't miss the remainder of our 2017\/18 Season.\t\t\t\t<\/p>\n\t\t\t\t\t\t\t\t\t\t

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\n\t\t\t\t\tDon\u2019t miss this play!\t\t\t\t<\/h3>\n\t\t\t\t\t\t\t\t\t\t

\n\t\t\t\t\tSave the date for the Polish dance theatre! January 5th\t\t\t\t<\/h6>\n\t\t\t\t\t\t\t\t\t\t\t\t\t
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\n\t\t\t\tTomoko x Finestre\t\t\t<\/h2>\n\t\t\t\t\t\t\t

\n\t\t\t\tUna collaborazione speciale\t\t\t<\/h6>\n\t\t\t<\/div>\n<\/div>
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Dal 2009, Finestre sull\u2019Arte<\/strong>\u00a0\u00e8 una rivista dedicata alla diffusione della cultura artistica, che lega storia dell\u2019arte, mostre e turismo culturale.\u00a0Da anni partecipiamo al\u00a0TTG di Rimini<\/strong>, portando avanti il nostro impegno nella promozione delle esperienze culturali.<\/p>\n

Per l’edizione del 2025 abbiamo voluto regalarci un allestimento speciale: un’ opera di circa 5×3 metri realizzata per noi da Tomoko Nagao. La scelta non \u00e8 casuale poich\u00e9 il 2025 e’ l’anno dell’Expo in Giappone ed essendo Danae Project, la societ\u00e0 editoriale di Finestre sull\u2019Arte un’azienda toscana, abbiamo voluto creare un ponte ideale tra la nostra cultura e quella giapponese ed il risultato \u00e8 questa reinterpretazione della Primavera.<\/p>\n

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Tomoko Nagao<\/strong>, artista giapponese residente a Milano e ha reinterpretato la\u00a0Primavera<\/em>\u00a0di\u00a0Botticelli<\/strong>, trasformando la composizione rinascimentale in un\u2019opera che fonde elementi classici e contemporanei, arte occidentale e motivi tipici della cultura pop giapponese. La sua rilettura mantiene l\u2019armonia e la disposizione delle figure originali, ma introduce pattern decorativi, colori vivaci e simboli del presente.<\/p>\n

Il risultato \u00e8 un’opera preziosa che abbiamo deciso di riprodurre in 100 esemplari firmati e numerati dall\u2019artista da oggi in vendita in esclusiva su questo sito.<\/p>\n

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Suspendisse leo ex, finibus vel blandit sed, ultricies non dolor. Donec magna tortor, gravida et sem id, consequat accumsan tellus. Maecenas pulvinar elit lacinia. Vestibulum ipsum, a varius dolor volutpat <\/p>\n \n Ross\tWeaver<\/span>\n \/\n Producer<\/span>\n <\/span>\n <\/div>\n <\/div>\n\n \n

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Cras ex enim, feugiat hendrerit consequat at, posuere in sem. Vestibulum vitae porttitor nibh. Nam eget ultricies risus. Nunc consectetur quam odio, malesuada fames ac ante ipsum primis in 2018\/2019<\/p>\n \n James Franco<\/span>\n \/\n Producer<\/span>\n <\/span>\n <\/div>\n <\/div>\n\n \n <\/div>\n<\/div>[\/vc_column][\/vc_row][vc_row disable_element=”yes” row_content_width=”grid” content_text_aligment=”center” css=”.vc_custom_1759414114369{padding-top: 150px !important;}”][vc_column]

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\n\t\t\t\tSubscribe to Our Newsletter\t\t\t<\/h3>\n\t\t\t\t\t\t\t

\n\t\t\t\tGet informations about our programs monthly.\t\t\t<\/h6>\n\t\t\t<\/div>\n<\/div>[vc_empty_space height=”59px”]\n
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